Soundware Sverige > Öppet Hus 2016 > Seminarieprogram

 Seminareprogram - 25 Oktober
 
ibmram

10.00 - IBM Cloud Video
Jonathan Cagle

Cloud Video Sales - IBM Hybrid Cloud Europe

Cloud Video - Increasing Revenue, Reducing Churn and Gaining Efficiencies
Video content owners and distributors are facing unprecedented complexity and opportunity.  To ensure success, viewers must be given an amazing viewing experience. Simultaneously, insights derived from data must be obtained and acted upon to increase revenue, reduce churn and gain efficiencies. This is easier said than done given rapidly changing consumer expectations, consumption methods and technologies

lykke

11.00 - DAD - NTP
Jan Lykke

Business Development Manager

What is AES67 and will it replace Dante?
The presentation explains AES67 and the differences between AES67 and Dante. Are AES67 and Dante rivals or do they complement each other? The presentation will include a practical demonstration of interoperability between Dante and AES67.



maciek

12.00 - BROAMAN - OPTOCORE
Maciek Janiszewski

Applications Engineering Manager at Optocore GmbH

Fiber networks - the future of video, audio and data distribution
Fiber is now a standard in the modern broadcast facilities as well as AV installations and live productions. The seminar will give overview on fiber transport medium with all benefits it brings and focus on available network solutions to transport video, audio and data over fiber - available protocols and approaches.


kh

13.00 - DK Technologies
Karsten Hansen

CEO at DK-Technologies A/S

LipSync
The Audio and the video signal on television are often misaligned and difficult to correct since the signal is handled by a range of unknown equipment each contributing to the total timing. At DK we have developed a simple to use app for the DKT7 family that can provide accurate timing right from the camera to the file server.

Embedding and de-embedding of Audio Signals in a HD stream.
The range of formats and frame rates in HD encoded video signals is wide together with a flexible use of the embedded AES audio data packets.

R128 True-Peak Repeat
Working with true-peak and understanding what to expect from the metering system is difficult to understand for a broad range of our customers. I will prime you on the technology and demonstrate the difference between the Nordic scale, digital peak and digital true-peak.

R128 Loudness Repeat
Understanding the application for the different reading modes requested by the recommendation has been difficult for a range of customers.

 deneeve 

EXTRA INSATT SEMINARIUM

13.30 - Grass Valley Group
Geert de Neve

Sales Engineering Pre-Sales Consultant

Why broadcast is moving to IP to what are the tools used today.

simon

14.00 - ROSS
Simon Hawkings

EMEA Pre Sales Manager

Virtual studios have come of age!
Broadcasters and content creators are under increasing pressure to maintain audience share and produce ever-more creative content in the face of tighter budgets. Virtual studios therefore make a great deal of creative and economic sense; sets can be changed quickly and easily, smaller studios can be made to look much larger and latest-generation camera tracking opens up new creative possibilities for augmented reality. Come and learn how Ross Video’s virtual studio solution can help you create more compelling content, more cost-effectively.

joostny

15.00 - RME Audio
Joost Bullens

Technical Support Soundengineer

MADI vs IP: Why the “old” MADi standard is still very successful
- Latency in audio workstation explained
- Bus formats
- What is MADI?
- Audio over IP basics
- MADI vs Audio over IP

duerr

16.00 - ARRI
Markus Duerr

Product Manager ARRI AMIRA

Cinematic Broadcasting
The seminar will illustrate the fusion of the cinematic realm and mainstream broadcast, focusing on the ARRI AMIRA. A versatile camera that combines exceptional image quality and affordable CFast 2.0 workflows and hosts an ergonomic design optimized for single-operator use and extended shoulder-mounted operation. Ready to pick up and shoot straight out of the camera bag, AMIRA is robust enough to take anywhere and features in-camera grading with preloaded 3D LUTs, as well as 200 fps slow motion. It is suitable for a great variety of production types, from TV drama and low-budget movies to nature films, sports coverage, commercials, reportage, branded content and multi-camera live TV.

oystein

17.00 - AVID
Øystein Riise Næss

Solutions Specialist - Video | Sales EMEA Nordics

Next generation shared storage for creative teams
Avid NEXIS is giving creative teams easy on-demand access to a cost effective shared pool of configurable storage resources. It works with all top media creation applications, including Media Composer, Apple Final Cut Pro/X, Adobe Premiere Pro, Grass Valley EDIUS, Blackmagic Design DaVinci Resolve, Autodesk Smoke, FilmLight Baselight, and many more. Tailor and tune each workspace’s capacity and drive protection to the project and client. Conveniently manage the system through a web interface and it easily scales to accommodate the smallest teams to the largest media enterprises.
The seminar will cover these topics in depth, and we’ll also briefly show the latest version of Media Composer with new, easier and more flexible filebased workflows



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